Free Full The Burnt Orange Heresy putlocker9 For Free Solar Movies in Hindi
↓↓↓↓↓↓↓↓↓↓↓
⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆⬆
Release Year 2019 / 
/ Charles Willeford / Genres Drama, Thriller / Italy / 1 H 39 Minute.
(Y. 3 Hrmmm.
Free full una obra maestra pelicula
Free full una obra maestra en ingles. “ The Burnt Orange Heresy, ” starring Mick Jagger as a reclusive art dealer alongside Elizabeth Debicki (“Widows”) Claes Bang (“The Square”) and Donald Sutherland, has been selected as the Venice Film Festival closer. The English-language art heist movie marks Italian director Giuseppe Capotondis first time back at Venice since 2009, when his debut feature film, the taut thriller “The Double Hour, ” made a splash on the Lido. That film won its star, Kseniya Rappoport, the best actress prize. Described as a contemporary “erotic neo-noir thriller” in the festivals synopsis, “ The Burnt Orange Heresy ” sees charismatic art critic James Figueras (Bang) hook up with provocative and alluring fellow American Berenice Hollis (Debicki. “Hes a classic anti-hero in the making with a charm that masks his ambition, whilst shes an innocent touring Europe, enjoying the freedom of being whoever she wishes, ” the festival said. The lovers travel to the lavish and opulent Lake Como estate of powerful art collector Cassidy (Jagger. Their host reveals that he is the patron of Jerome Debney (Sutherland) the reclusive “J. D. Salinger of the art world, ” and has a simple request: for James to steal a Debney masterpiece from the artists studio, whatever the cost. Produced by David Zander of MJZ, David Lancaster of Rumble Films and William Horberg of Wonderful Films, “The Burnt Orange Heresy” will world premiere on the Lido out of competition on Sept. 7. Executive producers include Sienna Aquilini and Peter Touche. The screenplay is by Scott B. Smith, from the novel of the same title by Charles Willeford. HanWay has international sales outside the U. S., where UTA/CAA are handling. The 76th edition of Venice will run Aug. 28-Sept. The full lineup will be announced on Thursday. After three weeks in theaters, Sonys “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made 291 million globally to date, pushing it past previous franchise record holder, 2003s “Bad Boys II” and its 271 million haul. The first entry, 1995s “Bad Boys, ”. The BAFTA film awards have kicked off in London, with Graham Norton hosting this year at the Royal Albert Hall. The awards will be broadcast on the BBC in the United Kingdom and at 5 p. m. PT on BBC America. “Joker” topped the nominations with 11 nods, while “Once Upon a Time in Hollywood, ” and. “1917, ” Sam Mendes World War I survival thriller, has taken an early lead at the 73rd British Academy of Film and Televisions Film Awards with four wins so far. “1917” took the Outstanding British Film Award, the clear favourite in the category, which was the first of the evening to be announced. “1917” also won. Every summer, more than 1, 000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up. In 2017, the program attracted attention for all the wrong. Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend. Studios consider Sundays NFL championship a dead zone at movie theaters since the Super Bowl is the most-watched TV event. This year proved no exception. Overall ticket sales for the weekend. Ahead of tonights BAFTA Awards in London, Amy Gustin and Deena Wallace, co-directors of the British Independent Film Awards (BIFA) discuss how they shook up their awards voting mechanisms to become more inclusive of a wider variety of films and filmmakers. BIFA is different from other awards bodies in its process as well as its. A wide range of Scandinavian films, including the politically-charged Danish drama “Shorta, ” the supernatural Icelandic drama “Lamb” with Noomi Rapace, and the Finnish-Iranian refugee tale “Any Day Now, were some of the highlights at this years Nordic Film Market. They were presented, along with 13 other films in post-production, as part of the Work-in-Progress section.
Sutherland and the drummer. share the love of the prancing horse. riddle me this. He said the f word ouch. Free full una obra maestra de. Free Full Una obra maestros. Oh I love this video. he's adorable. and just hearing him as he really is. wow I remember the day their music hit the memories. Free full una obra maestra lyrics. Cant be a Persimmon estate - those houses look solid and well built. The Burnt Orange Heresy Reviews Movie Reviews By Reviewer Type All Critics Top Critics All Audience Verified Audience October 1, 2019 A commercial proposal of relative consistency. [Full review in Spanish] September 28, 2019 Claes Bang, Elizabeth Debicki, Donald Sutherland, and Mick Jagger ( Mick Jagger) star in a nifty, thrifty thriller. An attractive, mysterious film, with dialogues that reveal intelligence and brilliance, but resolved in a barely convincing way. [Full Review in Spanish] September 16, 2019 It's all very pretty, and the conversations about the nature of art and truth will let people come away thinking they've seen something deep. September 15, 2019. a vibe that inevitably passes from somewhat intriguing to decidedly oppressive... September 12, 2019 Lots of pretty things at look at but this is a gritty noir, a hard-edged portrait of a psycho eaten by naked ambition. "The Burnt Orange Heresy" plays like a cool, classy "Velvet Buzzsaw" for the art-obsessive, every trace of camp traded for poetry. September 9, 2019 The screenplay and the actors ooze charm as well as intelligence early on but the second half is more like a sleek thriller, something that's efficient but less jocular and surprising. September 7, 2019 Halfway through. the air goes out of the shaggy-dog plotting: a climactic pileup of unfortunate events is both rushed and unsurprising, leaving the actors with little room to dart and play. For all the commitment that Claes Bang and Elizabeth Debicki bring to the central roles, their characters never really emerge as autonomous beings from the faintly preposterous story they're trapped in.
Free Full Una obra mestras. Free full una obra maestra un. Free Full Una obra maestra.
Free full una obra maestra para
Free Full Una obra maestris. The street fighting man. Wall Street. The end. Looks like Radcliffe is taking the Robert Pattinson route. Transforming the way people see the world, through film. Email address You can unsubscribe at any time. See our privacy policy. Mick Jagger, Dracula, and President Snow. would be a better film lol. Critics Consensus No consensus yet. 50% TOMATOMETER Total Count: 10 Coming soon Release date: Mar 6, 2020 Audience Score Ratings: Not yet available The Burnt Orange Heresy Ratings & Reviews Explanation The Burnt Orange Heresy Photos Movie Info The art world and the underworld collide in director Giuseppe Capotondi's elegant and erotic neo-noir thriller, The Burnt Orange Heresy. Set in present day Italy, irresistibly charismatic art critic James Figueras hooks up with provocative and alluring fellow American, Berenice Hollis. He's a classic anti-hero in the making with a charm that masks his deep ambition, whilst she's an innocent touring Europe, enjoying the freedom of being whoever she wishes. The new lovers travel to the lavish and opulent Lake Como estate of powerful art collector, Cassidy. Their host reveals he is the patron of Jerome Debney, the reclusive J. D. Salinger of the art world, and he has a simple request: for James to steal a Debney masterpiece from the artist's studio, whatever the cost. As the couple spend time with the legendary Debney, they start to realize that nothing about artist nor their mission is what it seems. But James is a man of deep, lurking ambition and he will do anything, from arson and burglary to murder, in order to further his career... Rating: NR Genre: Directed By: Written By: In Theaters: Mar 6, 2020 limited Runtime: 98 minutes Studio: Sony Pictures Classics Cast Critic Reviews for The Burnt Orange Heresy Audience Reviews for The Burnt Orange Heresy There are no featured reviews for The Burnt Orange Heresy because the movie has not released yet (Mar 6, 2020. See Movies in Theaters The Burnt Orange Heresy Quotes News & Features.
Painful. that party looks like utter hell, i'd rather be filling in forms in the job centre. Claes Bang ( The Square' and Elizabeth Debicki ( Widows' headline the English-language debut from Italian director Giuseppe Capotondi ( The Double Hour. which closed the Venice International Film Festival. A spiky romance laced with art-history references and the trappings of a sleekly elegant neo-noir, The Burnt Orange Heresy is a mutt of sorts but no less a pleasure to spend some time with — even if petting it might not be advisable. This classy adaptation of Charles Willefords best noir novel, originally published in 1971, changes the location from the Everglades to the shores of Lake Como, in Italy, where a European art critic and his American weekend fling visit a rich collector and meet the hermit artist who lives on his estate. The feature starts off as a light-footed account of a deliciously prickly affair between two bright and funny people who have met their match before the story morphs into something much darker. A similar genre shift occurred in Italian film The Double Hour, so it is not a surprise that the director of that 2009 Venice best actress winner, Giuseppe Capotondi, was asked to make his English-language debut with this material. He does so quite confidently, even if the last act contains a few moments that strain credibility. The Burnt Orange Heresy, which closed this year's Venice fest, seems like prime material for a streaming platform, especially with a cast that includes not only the handsome and suitably inscrutable Claes Bang, from Palme dOr winner The Square, but also whip-smart Australian gazelle Elizabeth Debicki ( Widows) and, in extended cameos, Mick Jagger and Donald Sutherland. The dark-haired and cocky Bang plays James Figueras (Jacques Figueras in the novel) a formerly esteemed art critic who finds himself giving badly paid lectures to American tourists in Milan about art and authenticity. One of the people who sneaks into such a lecture is Berenice Hollis (Debicki) a peroxide-blonde teacher from Minnesota on a European tour. Figueras talk is a display of rhetorical fireworks with several unexpected twists that serve several purposes in the fleet screenplay from Scott B. Smith, an Oscar nominee for the adaptation of his own novel, A Simple Plan. Besides introducing several leitmotifs, the sequence showcases to what extent Figueras likes to use razzle-dazzle both to impress and to distract. Its clear the man knows a lot about art criticism and art history but that all that knowledge has become the means to another end, namely to manipulate everyone around him for his own pleasure and benefit — though here the stakes are low and the game is rather innocent. The display of intellectual prowess, packaged as a jaunty, offhanded divertissement but in reality rehearsed to the last letter as weve seen in the opening scene, intrigues Berenice. Shes fascinated by Figueras wit, intelligence and good looks, so its hard to blame her when she finds herself in his bed approximately five minutes after they have met. It is in James spartanly decorated, powder-blue apartment that audiences will realize that perhaps it is not Berenice who got lucky but James, as she turns out to be a smart and quick-witted delight even without any preparation. Their shared, post-coital banter rivals the sharp and hilarious exchange that Bang had with Elisabeth Moss in The Square, in which he also played an art connoisseur. Here and in the following scenes, in which James takes Berenice to the picturesque lakeside palazzo of eccentric art collector Joseph Cassidy (Jagger, doing a heightened version of Jagger) theres a sense that Capotondi and the actors could have just as easily made a comedy-drama about the sex and romantic banter of two gorgeous people against an equally stunning backdrop. But that is not this film, or at least, not for its entire running time. The reason Cassidy has summoned Figueras is revealed in a conversation that makes it clear that the oddball Londoner has done his research on his guest, a fully fluent English speaker who is clearly Scandinavian — those esses cant fool anybody — and who hopes to get a job out of his visit to Lake Como. But it turns out the critic has, if not quite complete skeletons, at least some bones in his closet. This is where Cassidy sees an opportunity to get what he wants without getting his hands dirty. All he needs to do is will the Tom Ripley Effect into existence, as he manipulates the proud Figueras into covering up his minor crime with a slightly bigger one. Thankfully — for the viewer more than some of the players involved — things then spiral further out of control. The tool used by Cassidy is the artist living on his estate, Jerome Debney (Sutherland) a hermit painter whose continued output has already vanished in flames several times. Debney wants one of his paintings from his locked atelier before another fire might occur. In order to get in touch with the mysterious man, Figueras is promised an interview with the recluse, which would be a possible way to get his career as an influential critic back on track. As if by magic, Debney makes an appearance not much later. And his Nestor-like bearing and way of speaking, milked to the last drop by Sutherland, charms both James and Berenice, even if Figueras is very aware that he needs to manipulate what little time he has to get what hes been asked to deliver. Given the foreshadowing nature of the opening, the turn into darker territory feels like a change of pace thats nonetheless logical. But there are some issues that are not satisfactorily resolved. The main problem is that Berenice (and also Debicki. is clearly at least as smart as James, so a few last-act twists are hard to stomach. The screenplay and the actors ooze charm as well as intelligence early on but the second half is more like a sleek thriller, something that's efficient but less jocular and surprising. One of the works main thematic concerns — namely, how well do we really ever know others and how does the fact that we all lie complicate this matter — also seems to evaporate as The Burnt Orange Heresy draws to a narratively satisfying but thematically somewhat underwhelming close. Finally, Capotondi also seems a little too enamored of an alleged art-historical metaphor for sin, which feels more like its been layered on top of the narrative than properly tied into it. Thankfully, his actors and the superb production values, including Craig Armstrongs shimmering, piano-driven score, still make this an attractive overall package. Production companies: Achille Productions, Hanway Films, MJZ, Zephyr Films, Indiana Production, Wonderful Films, Rumble Films Cast: Claes Bang, Elizabeth Debicki, Donald Sutherland, Mick Jagger, Rosalind Halstead, Alessandro Fabrizi Director: Giuseppe Capotondi Screenplay: Scott B. Smith, based on the novel by Charles Willeford Producers: David Zander, William Horberg, David Lancaster Executive producers: Sienna Aquilini, Ayesha Walsh, Stephanie Wilcox, Dante Ariola, August Zander, Jon Shiffman, Jonathan Loughran, Alastair Burlingham, Charlie Dombek, Marco Cohen, Benedetto Habib, Fabrizio Donvito, Daniel Campos Pavoncelli, Alessandro Mascheroni, Peter Touche, Vaishali Mistry, Marie-Gabrielle Stewart, Peter Watson, Aris Boletsis Cinematography: David Ungaro Production design: Toto Santoro Costume design: Gabriela Pescucci Editing: Guido Notari Music: Craig Armstrong Venue: Venice International Film Festival (Out of Competition — Closing Film) Sales: Hanway Films In English 98 minutes.
Kindly give me Harry potter's son next trilogy, thank you🤫
Read"more"there"The"Burnt"Orange"Heresy The'Burnt'Orange'Full'Movie'Online The Burnt Orange full movie 123movies. The trailer is finally out for the neo-noir film The Burnt Orange Heresy, which stars Rolling Stones frontman Mick Jagger as a wealthy and conniving art dealer named Joseph Cassidy. Directed by Italian filmmaker Giuseppe Capotondi, the movie also features Claes Bang as swindling art critic James Figueras and Elizabeth Debicki as his weekend fling, Berenice Hollis. “What is this about? ” asks the washed-up Milan art critic at one point, referring to an impromptu invitation to the sprawling Lake Como home of Cassidy. “Redemption, embezzlement, and forgery, ” Cassidy responds with a smile. Jagger, with his slicked-back hair and crisp white suit, seems at ease in the role, which is his first major acting gig since his similarly dapper 2001 turn as an escort-agency boss in The Man from Elysian Fields. The duplicitous Cassidy has a deal to offer the power-hungry Figueras: Hell give the critic access to interview the legendarily reclusive artist Jerome Debney (played by Donald Sutherland) and jump-start his flagging career; in return, Figueras has to “procure” a painting by Debney for Cassidy. Debney happens to live on the edge of Cassidys property in a creepy little house but there is a bit of a problem: Debney keeps his work under lock and key and no one has seen anything from him in five decades. The film starts to take dramatic twists and turns of a dark thriller as ambitious characters each emerge with their own secret motives. The movies release comes amid a spike in art-world thrillers in recent years. This past fall, The Goldfinch, about a bombing at the Metropolitan Museum of Art, hit theaters, while the satirical thriller Velvet Buzzsaw debuted just a few months earlie r. And the film Red Notice, which stars Ryan Reynolds and Dwayne Johnson in an Interpol art heist caper, is in the works for 2021. Although Jagger may look the part of a shady art dealer, he said in a recent interview that theres very little of himself in the character. “Im not really a collector. I throw things away, ” Jagger said during the films premiere in Venice in September, according to Rolling Stone. “I buy things and then lose them. Im a completely hopeless collector. Im the complete opposite. ” The film premieres in New York and Los Angeles on March 6. See the trailer, released on January 24, below. Follow artnet News on Facebook: Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.
Free Full Una obra maestro. They didnt show the whole movie in the trailer, Im confused, I mean THANK YOU. Hired to steal a rare painting from one of most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control. Director: Giuseppe Capotondi Writers: Scott B. Smith, Charles Willeford (novel) Stars: Claes Bang, Elizabeth Debicki, Donald Sutherland, Mick Jagger REVIEW From the very beginning, its difficult to get a read on James Figueras (Claes Bang) and Berenice Hollis (Elizabeth Debicki. Assured and knowledgeable, James delivers a slick and measured art lecture – with explanations of brushstrokes and hues that tie to a remarkable history lesson – but in the process, he twists the room of engaged, wide-eyed listeners into knots, but in a most gratifying way. James orchestrates a magic trick of sorts…and then reveals his secrets. If this magician – wrapped in art critic/dealer clothing – figuratively escapes from a straitjacket while trapped in a water tank today, these fascinated patrons would drop serious coin to watch him saw a lady in half next week. Apparently, James is particularly skilled at delivering surprises, or from another perspective, maybe hes comfortable swimming in pools of deceit. Berenice wanders into his classroom, and through an initial physical attraction, a fascination with the art world or perhaps a long ago-decided calculation, she willingly wishes to be his trusty assistant, one on equal footing. This eye-catching pair – who could double as Prince Charming and Cinderella – might look like royalty, but they – individually – carry grifter-vibes which invite trouble. In director Giuseppe Capotondis highly-engaging noir thriller, James and Berenice step into jaw-dropping opulence in the form of a massive villa at Lake Como, Italy. Here, art collector Joseph Cassidy (Mick Jagger) presents James with an offer that he cannot refuse, and it involves a character – who will not be described in this review – played by Donald Sutherland. In a case of the immovable object versus the irresistible force, James has to fight an uphill battle while Berenice – who somewhat sits on the sidelines – may or may not be sharpening her own sword. Writer Scott B. Smith introduces several prickly points and warm creature comforts that lay the groundwork for mixed emotions. Rather than stretch the material into 150 minutes, Capotondi keeps the picture at 99. The film delivers flurries of strikes within a shorter-than-expected window, so the pain pierces deeper, not because of long periods of exposition that allow the audience to bond with the leads, but just the opposite. James and Berenice do not truly know one another that well. We dont either, and hence, as the events unfold, we need to play catch-up, and like James opening scene, the film offers surprises. What might be a terrific surprise is how accomplished Jagger is on the silver screen. The Rolling Stones frontman is certainly not shy of a big stage, and he dazzles here as Cassidy, a smooth aristocrat (in the monetary sense) who seems to have all the answers. In 1982, director Werner Herzog said of Jagger, “(Hes) not a good actor, that would be wrong to say. Hes a sensation, and no one has realized that. What a performer…just incredible. ” Herzogs words ring true, as Jaggers Cassidy intimidates by conveying unwelcome personal truths with a soothing suave grace and smiling eyes, that will instantly trigger an immediate desire to retreat. Cassidy and Debney (Sutherland) reveal more to the audience in a few minutes than James and Berenice would divulge over a month of Sundays. This, however, is all by Capotondis and Smiths chosen design, and Bang, Debicki, Sutherland, and Jagger hold on tight to the movie screens four corners, because “The Burnt Orange Heresy” gets a little crazy which – like art – leaves a lasting impression. – Giuseppe Capotondi, Phoenix Film Fest.
Free full una obra maestra la. Well done Daniel ! Bow out gracefully. Free full una obra maestra letra. Free full una obra maestra de la.
{The Burnt Orange Heresy} movie vodlocker
The Burnt Orange Episodes Online
.
Free full una obra maestra del
Free full una obra maestra en espanol. September 7, 2019 12:00PM PT Claes Bang and Elizabeth Debicki have fizzing chemistry, but Giuseppe Capotondi's watchable art-scene noir doesn't take enough pleasure in it. Watching “ The Burnt Orange Heresy, ” you may find yourself wishing one of two things: that Claes Bang and Elizabeth Debicki had been around to make elegant little mystery capers with Alfred Hitchcock in his prime, or that Hitch were around today to direct this one, a marble-cool art-fraud thriller that begins lithely and sexily before, somewhat mystifyingly, it takes a terminal turn for the dour. The first film in ten years from Italian genre stylist Giuseppe Capotondi, who competed on the Lido in 2009 with his sharp, twisty neo-noir “The Double Hour, ” this adaptation of Charles B. Willefords 1971 novel — about an art critic desperate to uncover a reclusive painters secret works at any cost — is considerably more intriguing in setup than in anti-climactic follow-through, which rather squanders the films best asset: the smart, hot, mischievous chemistry between Bang and Debicki, two actors who could sell you just about any Old Master knockoff. If its never less than watchable, “ The Burnt Orange Heresy ” nonetheless works best as a kind of screen test for a star pairing in search of something friskier: Any enterprising casting directors with a script like “Duplicity, ” or an updated “To Catch a Thief, ” on their books should be first in line to see it. Distributors, meanwhile, will be drawn by the films name appeal and glamorous trappings — as if the leads werent soothing enough to the eye, Capotondi throws in some verdant Lake Como scenery for good measure — though it feels like once its festival run is complete, this years Venice closer will be seen mostly in ancillary platforms. Enterprising marketing folk, meanwhile, may draw some kind of wavy connective line between Capotondis film and Ruben Östlunds Palme dOr winner “The Square”: The films are hardly alike, but make similar use of Bangs lightly ruffled elegance as a performer, both casting the Danish star as a debonair art-scene aesthete increasingly in over his head. (Hey, as typecasting niches go, its a classy one to have. With a Cary-Grant-on-vacation wardrobe and a silky, unplaceable English accent, his character James Figueras exudes an air of slightly chipped polish from the first frame, which sees him delivering a well-rehearsed, glibly clever lecture on the power of the critic to a gormless group of American vacationers in Italy. Using false historical context to talk his audience into admiring an unremarkable painting, he then pulls the rug out from under them: “I singlehandedly made you believe this was a masterpiece! ” he crows, to awed applause. Less impressed in the back row is wry, enigmatic drifter Berenice (Debicki) who playfully challenges Figueras over his lecture afterwards, and falls into bed with him not long after — though whether shes merely a beguiling chance acquaintance or a femme fatale with more of an agenda is the first of the films various enfolded question marks. In any case, the spark between them is sufficiently electric that we dont question why Figueras immediately invites her as his companion on a trip to the swanky Lake Como estate of renowned art collector Joseph Cassidy (Mick Jagger, overplaying to jarring effect) who has a potentially career-enhancing proposal for the jaded critic: an interview with cult artist Jerome Debney (Donald Sutherland) who has been out of the public eye for half a century. The catch: he has to acquire one of Debneys unexhibited, fiercely guarded new paintings. Needless to say, as Figueras opening lecture helpfully foreshadows for us, nothing that ensues is precisely as it seems — least of all Debney himself, played with a worn, wily twinkle by Sutherland, who blithely disagrees with the critics assertion that he has “a duty to posterity. ” Relocating Willefords novel from Miami to Italy, the script by Scott B. Smith (“A Simple Plan”) blends simplified art theory with more general quippery, giving Bang and Debicki a surfeit of flirtatious banter to volley early on, before the tone takes a darker, nastier turn. Halfway through, however, the air goes out of the shaggy-dog plotting: a climactic pileup of unfortunate events is both rushed and unsurprising, leaving the actors with little room to dart and play. Capotondis direction, so ahead of his wild, joyriding narrative in “The Double Hour, ” feels a tad televisual here: Save for the chilly, brittle mood set by Craig Armstrongs piano-based score, the filmmaking feels subservient to the scripts shifting demands. Indeed, at 98 minutes, “The Burnt Orange Heresy” is the rare film that could stand to be a little more indulgent, teasing out its bluffing narrative with more of a wink, further drinking in the louche allure of its milieu — David Ungaros lensing is strong on shadow, but could use a dash of lurid oil-paint gloss — and letting its two delicious stars enjoy each others company a bit longer before the fix is in. Nice as it is of Capotondis film to acknowledge the art of the critic so generously, theres no making anyone believe this is a masterpiece: The pleasures it has to offer, though, merit a bigger, more gilded frame.
Whooo theee fooook edited this.
0 comentarios